

{"id":31,"date":"2023-10-02T17:47:36","date_gmt":"2023-10-02T17:47:36","guid":{"rendered":"https:\/\/research.unl.edu\/annualreport\/2023\/?p=31"},"modified":"2023-10-31T17:05:04","modified_gmt":"2023-10-31T17:05:04","slug":"screenplay","status":"publish","type":"post","link":"https:\/\/research.unl.edu\/annualreport\/2023\/screenplay\/","title":{"rendered":"Nebraska roots inspire award-winning screenplay"},"content":{"rendered":"\n<p>Richard Endacott drew on his Nebraska roots to write a screenplay that has won over film festival judges near and far.&nbsp;<\/p>\n\n\n\n<p>The Nebraska professor of film has earned numerous awards for \u201cTurn Over,\u201d a screenplay that centers around an antique tractor and the conflict it provokes between two brothers.&nbsp;&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_069-1024x683.jpg\" alt=\"\" class=\"wp-image-141\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_069-1024x683.jpg 1024w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_069-300x200.jpg 300w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_069-768x512.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_069-1200x800.jpg 1200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_069.jpg 1500w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption class=\"wp-element-caption\">Richard Endacott<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Endacott\u2019s awards include Best Short Screenplay at the Skiptown Playhouse International Film Festival in Hollywood, California, Best Short Script at the Snake Alley Festival of Film in Burlington, Iowa, and Best Short Script in the Copa Shorts Film Festival in Maricopa, Arizona, among many other recognitions.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Endacott, who grew up on a Nebraska cattle ranch, found inspiration for the short screenplay in his love for old things.&nbsp;&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_4041-1024x683.jpg\" alt=\"\" class=\"wp-image-173\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_4041-1024x683.jpg 1024w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_4041-300x200.jpg 300w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_4041-768x512.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_4041-1200x800.jpg 1200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_4041.jpg 1500w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption class=\"wp-element-caption\">Richard Endacott discusses a scene with brothers Kerry and Thad, played by professional actors Eric Moyer of Lincoln and Calvin Chervinko of Chicago.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>\u201cRecently, I connected with a group of antique tractor restorers. The passion that restorers have for sharing these remarkable works of industrial design and engineering was contagious. That was the seed that started my work on \u2018Turn Over,\u2019\u201d he said.&nbsp;<\/p>\n\n\n\n<p>The screenplay features Kerry, who returns to the family farm with a money-making proposition for his estranged brother. They must work together to get an inherited tractor up and running again.&nbsp;<\/p>\n\n\n\n<p>Endacott said he\u2019s interested in telling stories that are simple and universal.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"quote_paragraph\"><span class=\"fade_in_text\">\u201cAt some level, I think everyone can relate<\/span><span class=\"fade_in_text\"> to the conflicts that can arise between family members.<\/span><span class=\"fade_in_text\"> Often, these conflicts are passionate,<\/span><span class=\"fade_in_text\"> but also hold the most potential <\/span><span class=\"fade_in_text\">for reconciliation and growth.<\/span><span class=\"fade_in_text\"> A story about brothers whose paths <\/span><span class=\"fade_in_text\">have diverged, yet need the support that can come from <\/span><span class=\"fade_in_text\">rebuilding their relationship is familiar. <\/span><span class=\"fade_in_text\">So, I wrote a story about that <\/span><span class=\"fade_in_text\">\u2026 and antique tractors.\u201d<\/span><\/p>\n\n\n\n<p>Through Endacott\u2019s artistry, \u201cTurn Over\u201d explores what it means to be part of a family, a community and, by extension, a global world. Audiences will also experience, on a visceral level, the difficulties modern farmers face.&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large align_full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_148-1024x683.jpg\" alt=\"\" class=\"wp-image-142\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_148-1024x683.jpg 1024w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_148-300x200.jpg 300w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_148-768x513.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_148-1200x801.jpg 1200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230630_Endacott_148.jpg 1500w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/figure>\n\n\n\n<p>\u201cI\u2019m keenly aware of how difficult it can be to maintain a family farm in a climate where costs are high, small farms are being sold and fewer young people are willing or able to devote their lives to farming,\u201d he said.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Endacott has now filmed his screenplay, employing students alongside Nebraska film professionals. \u201cTurn Over\u201d will be ready to screen in spring 2024.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Gallery<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"162\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1314-1024x683.jpg\" alt=\"\" class=\"wp-image-162\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1314-1024x683.jpg 1024w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1314-300x200.jpg 300w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1314-768x512.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1314-1200x800.jpg 1200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1314.jpg 1500w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption class=\"wp-element-caption\">UNL student Isaiah Griffith holds a boom mic. <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"157\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1504-1024x683.jpg\" alt=\"\" class=\"wp-image-157\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1504-1024x683.jpg 1024w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1504-300x200.jpg 300w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1504-768x513.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1504-1200x801.jpg 1200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_1504.jpg 1500w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption class=\"wp-element-caption\">Photography director Barry Joyce asks for a light to be adjusted.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"160\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2283-1024x683.jpg\" alt=\"\" class=\"wp-image-160\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2283-1024x683.jpg 1024w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2283-300x200.jpg 300w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2283-768x513.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2283-1200x801.jpg 1200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2283.jpg 1500w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption class=\"wp-element-caption\">Director of photography Barry Joyce<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"165\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2658-1024x683.jpg\" alt=\"\" class=\"wp-image-165\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2658-1024x683.jpg 1024w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2658-300x200.jpg 300w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2658-768x512.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2658-1200x800.jpg 1200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_2658.jpg 1500w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption class=\"wp-element-caption\">Grace Birkland, second assistant cameraperson, starts a scene. <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"169\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3478-683x1024.jpg\" alt=\"\" class=\"wp-image-169\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3478-683x1024.jpg 683w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3478-200x300.jpg 200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3478-768x1152.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3478.jpg 1000w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><figcaption class=\"wp-element-caption\">The rusty front of an Oliver tractor, the mechanical star of the movie. <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"171\" src=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3913-1024x683.jpg\" alt=\"\" class=\"wp-image-171\" srcset=\"https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3913-1024x683.jpg 1024w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3913-300x200.jpg 300w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3913-768x512.jpg 768w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3913-1200x800.jpg 1200w, https:\/\/research.unl.edu\/annualreport\/2023\/wp-content\/uploads\/2023\/10\/230809_Tractor_Movie_3913.jpg 1500w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption class=\"wp-element-caption\">Richard Endacott pulls the battery in the unrestored tractor during a scene rehearsal.<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Richard Endacott drew on his Nebraska roots to write a screenplay that has won over film festival judges near and far.&nbsp; The Nebraska professor of film has earned numerous awards for \u201cTurn Over,\u201d a screenplay that centers around an antique tractor and the conflict it provokes between two brothers.&nbsp;&nbsp; Endacott\u2019s awards include Best Short Screenplay [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[136,59,138,140,137,135,139],"class_list":["post-31","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlights","tag-turn-over","tag-arts-and-humanities","tag-cinema-and-screenwriting","tag-family-farms","tag-johnny-carson-school-of-theatre-and-film","tag-richard-endacott","tag-storytelling"],"acf":[],"_links":{"self":[{"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/posts\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/comments?post=31"}],"version-history":[{"count":22,"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/posts\/31\/revisions"}],"predecessor-version":[{"id":638,"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/posts\/31\/revisions\/638"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/media\/141"}],"wp:attachment":[{"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/media?parent=31"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/categories?post=31"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/research.unl.edu\/annualreport\/2023\/wp-json\/wp\/v2\/tags?post=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}